Darangan Epic Full Free Story English Version
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The Singkil is an exception to the narrative structures of the hudhud, as it follows the narrative structure of the darangen. The Singkil is derived from the word singkil and is a term indicating the sound made from the bells worn on the legs of the Muslim princess. It is a kind of dance performed mainly by the men, echoing the darangen epic of the Maranao. Like the hudhud, the Singkil celebrates the epiphany of the Maranao people. Both dances have a common theme: They both celebrate the power of the Ifugao rice terraces.
Despite the similarity of these two dances in their themes and forms, their overall meaning and purpose differ. While the hudhud is a celebration of collective tribal identity and culture through the dances and songs, the Singkil is more of a celebration of individual identity through the dances and songs. The hudhud is declamatory, while the Singkil is the artistic rendition of the darangen. It is not only the foundation of the Ifugao society and culture, but it is also an element of their collective ethnic identity. In a sense, the hudhud is the immediate ethnic manifestation of the Ifugao society, while the Singkil is the most artistic version of the darangen. The hudhud is very much a collective expression, while the Singkil is more of an individual expression.
Radia Indarapatra is an ancestor of Bantugan, a renowned epic hero from the Maranao epic Darangen, based on the Ramayana. This story of Rajah Indarapatra, mythological hero of Magindanao, and his brother, Sulayman, is based on a myth recounted by Najeeb M. Saleeby, in one of his books on the Moros; According to him, this myth came from Datu Kali, who in turn learned it from Maharajah Layla of Magindanao and Alad, a very old and intelligent Moro.
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